Showing posts with label AIDS. Show all posts
Showing posts with label AIDS. Show all posts

Friday, 12 May 2023

Pink Triangles, Blue Triangles


Pink Triangles, Blue Triangles



May is #InternationalMEAwarenessMonth &/or #MEAwarenessMonth.


The 12th May is #InternationalMEAwarenessDay &/or #MEAwarenessDay to co-incide with Florence Nightingale’s birthday, as she is suspected of being a person with Myalgic Encephalomyelitis (pwME) or its closely-related sister disease Fibromyalgia (thus pwFM). Like about half of pwME I am diagnosed with both conditions. I usually try to compose a new blog-post to mark the occasion, but having severe M.E. means I do not always achieve my objective.



Image description: pale-blue triangle on a black background; above the words “MYALGIC ENCEPHALOMYELITIS”; below the phrase, “SILENCE = LIVING DEATH”.


In case anyone is pondering where they may have seen something similar, I take you back to 1987 and the “Silence = Death Project” (link to Wikipedia article here). In that instance a pink triangle was utilised.


I quote from the cited link, as I do not have the energy nor cognitive abilities to reword it:


“A pink triangle has been a symbol for the LGBT community, initially intended as a badge of shame, but later reclaimed as a positive symbol of self-identity and love for queerness. In Nazi Germany in the 1930s and 1940s, it began as one of the Nazi concentration camp badges, distinguishing those imprisoned because they had been identified by authorities as gay [and bisexual men per thepinknews.com] men. In the 1970s, it was revived as a symbol of protest against homophobia and transphobia, and has since been adopted by the larger LGBT community as a popular symbol of LGBT pride and the LGBT movements and queer liberation movements.”


It is estimated that 25% of pwME are either housebound or bedridden, but all sufferers are imprisoned in a severely failing body, for which there is no cure, no treatment, no (current) hope.


The reader may be wondering why I am labouring comparisons with queer men. Well, obviously I myself am a queer man as well as a pwME, so I personally am interested in what can be learned from my brethren. And there is something to learn; something I have tweeted about over several years, but have finally decided to blog about. I point out here that none of the charities to whom I have tweeted or included in a tweet have ever responded to me, on any issue.


I do not know how many folk will recall the rabid era of HIV & AIDS hysteria in the 1980s. Many pwME will have been born long after its passing. However, one thing still strikes me from that period - how the gay community took pro-active action to support their brethren in need, those suffering not only from an incurable illness, but actively hated and shunned by society at large, health services, local communities and most shockingly by their so-called friends & families. Sounds familiar to many of those with M.E. or Fibromyalgia.


I cannot find much on the “buddy system” that the LGBT communities creäted back in the early/mid-1980s. (Here is a link to the basic working of any buddy system, via Wikipedia.)


However, a seminal film was made in 1985 simply entitled “Buddies” (dir. Arthur J. Bressan Jnr.). (Link on Wikipedia; link on imdb.)


I quote from Red-125’s comment in the review section of the latter:


“The buddy concept was new to me. Humanitarian groups would assign people to visit people dying from HIV/AIDS if they had no other support system. This must have been common, because many gay men had partners who were dying or had died, and people were afraid to go near people with HIV/AIDS because no one knew how it was transmitted.”


As far as I can recall, I have not seen this film. However, I did see a film made the following year, 1986, entitled “Parting Glances” (dir. Bill Sherwood) in which Steve Buscemi plays Nick, the guy dying from AIDS. (Link on imdb; link on wikipedia.)





The above link is to a short snippet from the film where the buddy, Mike, is talking to Nick. We can see the remains of a health-drink Mike concocted a few scenes earlier. We are apprised of the meal that Mike has prepared. And we hear of and see Mike entertaining Nick. What we do not see in this scene is Mike advocating on Nick’s behalf.


So, in case it has not yet become apparent to the reader - my fault no doubt - I am suggesting that pwME need a buddy system along the lines that queer communities established at the height of the AIDS furore: whether for social visits and general support for those with mild ME (that is a loss of 25% of previous function) to preparing, serving & sometimes feeding and strong advocacy support for those with severe ME.


ALL of the big M.E. charities have seriously let down pwME: as far as I can tell (having searched their websites as best I could and checked via search-engine too), not one has instigated a buddy system. However, ideally, they ought to all work together to develop a national one-stop system, where those in need and those who wish to volunteer can be brought together. Of course, there are financial implications: set-up & maintenance of a dedicated website; payment (if a volunteer cannot be found) to oversee the running of the buddy system; training costs - although remote training via video could reduce costs considerably; police-checks to ensure the suitability of volunteers; etc.


Having one centralised buddy system could also be a source of identifying specific issues effecting pwME and how widespread such issues may be. As an example, if volunteers regularly update the site with issues for which they have to advocate, such a buddy system might give us a better picture of how the NHS, local social-services, G.P.s, Pharmacies, supermarkets, etc. deal with pwME. This in turn would feed back to the charities and apprise them of real need.


Another advantage of a one-point contact for support-services for pwME is that it would more likely be used by G.P.s, hospitals and social-services, especially if publicised to them, to direct sufferers/patients/clients to sources of assistance. However, at least in respect to medics, there is nevertheless a large amount of scepticism amongst them towards the UK M.E. charities that needs to be addressed. Perhaps seeing the charities work together to establish a buddy system might alter or improve medical opinion.


This scepticism is shared by many pwME due to the nature and structure of the charities. They are not DPOs, that is Disabled Peoples Organisations, bodies whose constitution requires that both their membership and their board must consist of a majority of disabled folk. 


I have been diagnosed with ME/CFS since 1998 and previously with post-viral fatigue syndrome (PVFS). How many pwME might still be alive if they had but had a buddy, an advocate, a help-meet, a support? To my knowledge the leading UK charities have taken no action to creäte a much needed & long-overdue buddy system. Yes they have telephone and email routes via which one might be able to access limited help & support. But if there is a buddy system, it is very much hidden.


How much longer will these charities, ostensibly speaking on behalf of pwME, need before they take pro-active & pragmatic action? The queer communities set up buddy systems in a matter of months. What is holding back the M.E. Charities?


*



The big three charities and a quotation from each one follow.



Action for ME since 1987 (and the link to their website https://www.actionforme.org.uk/ ):


“We are here for people living with M.E.

We're working to ensure adults, children, young people and families living with the illness are supported during this unprecedented time, and beyond. Get connected to Action for M.E. services, support and resources by phone, email and online, including peer-support and services local to you.”


The M.E. Association since 1976 (and the link to their website https://meassociation.org.uk/ ):


“The ME Association is here to support people through all stages of their illness because we desperately want to see everyone get the help they need and, through research, help to develop an effective treatment and one day even a cure.”



Forward-ME since 2008 (& the link to their website https://forward-me.co.uk/ ):


“We exist to present one voice to anyone keen to know more about Myalgic Encephalomyelitis known as ME, sometimes referred to as Chronic Fatigue Syndrome or CFS, representing a number of UK charities and organisations in an alliance that together unites us in a common cause to ease the suffering of patients, and in time, find a cure.”




Saturday, 28 March 2015

Jolene: A Queer Perspective

This morning my Facebook feed contained a song link with this comment from Simon, an old friend of mine:

"A classic C&W song slowed down 25%. You might almost call it "The Revenge Of The Altos"... It's soulful, it's thoughtful, and for me it cuts through the sickly syrup of a modern Christmas. Enjoy."

Original deleted: here's a similar version - https://youtu.be/CMrfM711vXI

I responded:

"Simon, thank you so much for sharing this. I love the Dolly original. Slowing down the track, alters her voice to a more manly version which totally shatters the sexual dynamic of the tale; a fresh take on the eternal triangle"
Both my parents were into Country & Western music across the spectrum; although I do not recall either being particular fans of Dolly, with the exception of "Love is Like a Butterfly". Somehow or other, presumably from some show or other I heard "Jolene" and even as a boy was struck by the singer's terrifying  potential loss. No-one wants to lose someone they love.


This masculine-sounding rendering had me pondering whether any men had actually produced a version of Dolly Parton's "Jolene".


Regrettably, I am of an age where I am no longer musically literate nor up-to-date with much of popular culture, so all the versions I shall post below are by musicians, of whom I personally have never heard. In other words, I have not selected these versions for any ulterior motive. They are the takes that took me for some reason or other.

To whittle down the numerous versions of "Jolene" to the few listed here, I had to wade through some dire productions, dreadful line-dancing videos and shocking karaokes.

This first cover has an emotional delivery and a guitar-playing that had Simon filled with lust - not that kind:

"*converts self into electron stream, sneaks onto YouTube and Tunes. His. Damn. Guitar.* "



The White Stripes were a Detroit husband & wife duo. As far as I know, Jim White is straight. Nonetheless, he conveys the universality of the sentiment contained within Dolly Parton's lyric: the fear of losing a loved one to another suitor.


The lead in this next clip is a woman, but the duet is with a hirsute, bearded bloke, with the addition of three other menfolk, so I have included it within my remit. I have to admit the bands name, The Little Willies, also had something to do with me selecting it!


Can just imagine being in a night-club, sipping a whisky sour & enjoying this live. Ahhh, daydreams…

In contrast the next example is from an all-male quartet. This version makes me feel all eighties and brooding teenage angsty again - those were the days! Here goes, seat-belts on for Sisters of Mercy from 1983.



https://youtu.be/AdUHxFKCQBs
Original deleted: here’s the same track - https://youtu.be/pOlPDvuI8SU

Men singing this track switches the sexual dynamic from purely heterosexual to queer,  depending on the character: (bisexual or) homosexual - singer; bisexual - man; or, heterosexual (or bisexual) - Jolene. In 1983, at the height of the AIDS panic, this sensibility would have been subversive.

Similarly, in current homophobic Poland, the song sung solo by a young man on a music television programme (program), Mam Talent III, can be perceived as a public declaration of homosexual love and a potentially seditious act. Here Piotr Lisiecki sings live and at a galloping pace:



Original video now deleted; but a similar version can be found here: https://youtu.be/7XF-oS9Dak4?list=PL1D802CC2B00383E1

Piotr eventually went on to produce an album which contained by far the most intimate version I have come across: it's almost unsettling, as if one is overhearing a private discussion. Well worth a listen!



This next one definitely had me laughing. West Coast meets hill-billy with a punk twist - ha, ha, ha! Ladies and gentlemen, I give you Me first and the gimme gimmes singing "Jolene":



https://youtu.be/fBoTwOTKw0I?list=LLLwW4URJ5QNeofCbyooBTKg

And whilst talking of laughter, every time I watch this clip or the actual episode from American Dad, Steve's expression cracks me up! Go Roger!


On to another TV version. I am not impressed with the final Samuel Larsen version that made the GLEE album; on the other hand this audition is perfectly well executed, if a tad soulless perhaps?


Surprise, surprise: the audition has been deleted. Have a GLEE-fan version: https://youtu.be/BajdA5QuYFo.

Certainly Samuel's androgynous appearance, in clothing, hair and his epicene features adds a gender-bending hue.

It really seems that "Jolene" is now a worldwide staple of talent shows whether in Poland or in the USA (and later in this post even the UK). The following had me horripilating: the power, the gusto, the emotion of Dolly and re-interpreted as his own. Cody Belew performed this for The Voice in the States. Fabbo!


And yet again never heard of this guy: this final male version by Matt Cardle (apparently of X-Factor fame) had me sobbing and rapidly soggying tissues. Really powerful version. What a voice & totally live!


Matt "is known for his falsetto and being able to reach notes typically unusual for a male singer" according to Wikipedia. A voice that takes us full circle from Dolly with her delightful, slowed-down manly voice to Matt with his awesome, womanly voice.

Of course, this blog-post would be incomplete without the original Dolly version. However, here it is with a twist…


The clever juxtapositioning of Sherlock characters, Watson (singer), Holmes (man) and Moriarty (Jolene) with Dolly's version along with some very judicious editing of shots from season 2 finale The Reichenbach Fall are perfectly combined to create a purely queer melodrama.

It is quite clear that the song has resonance across the musical spectrum from rock to lullaby amongst both professional and amateur singers. A testament to Dolly Parton's word-smithing.


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I have had to update as of 28th March 2015 as so many links had broken or videos had been deleted. Any problems with the links in future, do let me know and I can then try to rectify. Cheers, "Jolene" lovers! %)


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Update: 30th January 2019. Today, I have been made aware of a couple of other videos that have a bearing on our queer perspective: Jolene actually sung by Dolly with Pentatonix and, below, additionally with Miley Cyrus.




I have to say that last - live - version had me goose-bumping for days! %O

Enjoy, y’all! ;)